Streisand admitted she wanted to support medical research for women, fight against nuclear proliferation, and confront global warming – and all the funds would be distributed through The Streisand Foundation. “Just call me a charity slut,” she joked.
Four days later, the dates and cities of her tour were revealed, as well as her “special guest” the multi-platinum-selling quartet, Il Divo.
The tour will be presented by promoter Michael Cohl for Concert Productions International and The Next Adventure (A Live Nation Company).
“It's an incredible opportunity to work with Barbra Streisand certainly the greatest female performer of all time,” said Cohl. “This will be an amazing show. Don't miss it.”
All-male vocal group Il Divo stated: “We believe the experience of working with Barbra Streisand – a truly legendary artist – will forever shape the way we approach our own singing and performing. Her voice and her music have profoundly influenced and inspired so many artists, including Il Divo, and we are thrilled to be sharing the stage with her.”
Il Divo the group is composed of the Spanish Carlos Marin (baritone), the Swiss Urs Bühler (tenor), the Frenchman Sebastien Izambard (tenor) and the American David Miller (tenor).
Tickets for the North American concert tour went on sale June 12th and cost $750, $350, $200, and $100. Streisand was performing in New York, Boston, Chicago, Philadelphia, Washington, Ft. Lauderdale, Atlanta, San Jose and Los Angeles. A special website was set up for Streisands concerts: CPITour.com.
The logo and artwork for the concert tour featured a silhouetted Streisand standing in a large spotlight. Barbra told Oprah Winfrey, “I have found that the myth of the ‘diva’ is much bigger than me. If you look at the ad for my concert, the shadow is much bigger than the person.”
Behind the scenes, Richard Jay-Alexander, who staged Barbra’s Los Angeles and New York shows in 2000, was hired to co-direct the new tour with Streisand. “I got a phone call from Marty saying that Barbra is thinking about doing some concert dates in 2006,” Jay-Alexander told BarbraNews.com. “She and I spoke on the phone and I asked, point blank, why she was considering this. She then told me about the money that could be made for The Streisand Foundation, etc. I immediately said, ‘I’m in.’ I also told her, ‘I will die if you do this without me’ …. I know … it’s dramatic, but, hey, I work in the theatre!”
Streisand started rehearsals for her tour in mid-August 2006.
“There were some mantras that drove this show,” Richard Jay-Alexander explained. “Like ‘the truth’... and we weren't going to consider songs that she doesn't really feel strongly about or that she didn’t want to sing ... We really laughed a lot putting the show together. We also sang a lot of songs that didn’t make it in and Barbra, Bill [Ross], Marty [Erlichman], Jay [Landers], Randy [Waldman, Barbra's pianist], me and Jeff [Richman] were constantly amazed at how she would ‘zero in’ on and edit, cut, improve and help to shape what eventually became the ‘template’ of the show.”
Barbra also described the new show as “more intimate, not as elaborate as I've done before. I have 58 musicians. But it's really about the singing. In listening to certain things from my past, I thought I could revisit them.”