A Happening in Central Park 1968 TV Special

Streisand / Television

A Happening in Central Park (1968)

  • SHOW CREDITS
    • Performed June 17, 1967
    • Broadcast on CBS September 15, 1968
    • Produced & Directed by: Robert Scheerer
    • Associate Producer: James S. Stanley
    • Musical Director: Mort Lindsey
    • Art Director: Tom John
    • Technical Director: Bob Brooks
    • Audio Consultant: Phil Ramone
    • Lighting Directors: Imero Fiorentino, Billy Knight
    • Barbra Streisand's First Costume Designed by: Irene Sharaff
    • Hair Stylist: Frederick Glaser
    • Video Tape Editor: Jerry Newman
    • Executive Producer: Martin Erlichman
  • SONGS ON THE SPECIAL

    Act One


    The Nearness of You

    Down With Love

    Love is Like A Newborn Child

    Cry Me A River

    Folk Monologue/Value

    I Can See It



    Act Two


    Love Is A Bore

    He Touched Me

    English Folk Song (A Schloon for the Gumpert)

    I'm All Smiles

    Marty the Martian

    Natural Sounds

    Central Park DVDSecond Hand Rose

    People

    Silent Night

    Happy Days Are Here Again

Happening in Central Park Title Sequence

“It’s not easy to sing your heart out before 128,000 fans and achieve a quality of intimacy under the stars in the stately wide open greenery of Central Park. But Miss Streisand managed  it in a remarkable performance of spontaneity and assurance Sunday night during which she played that vast audience like a tuned-up violin ... This was truly a ‘happening’ — a rapport between entertainer and entertained that could be shared by millions — thanks to the magic of videotape.”

... Percy Shain, Boston Globe


A Happening in Central Park was performed on Saturday, June 17, 1967. The concert, sponsored by Rheingold Beer, and free to the public, was held in the Sheep Meadow section of New York City's Central Park. Barbra's television sponsor, Monsanto, captured the event on videotape for airing on CBS at a later date.

Barbra took a weekend off from filming Funny Girl to perform the concert. On Friday night, June 16th, Barbra and crew rehearsed until very late.  Director Robert Scheerer also worked out some of his camera blocking at that rehearsal. Musically, Streisand was backed by Mort Lindsey and his orchestra.

Sound engineer Phil Ramone (a Grammy Award-winning music producer for some of the biggest talents in the music industry) told Barbra Archives about his work on the Central Park concert. “We had to share the microphones between the record company’s truck and our independent truck. A spotlight was brought in, and when they lowered the back elevator off the truck that was carrying it, it cut right through the cables. You’ve never seen so many engineers with soldering guns … Not just the P.A. system was in jeopardy, but the recording system was jeopardized. About 5 o’clock that afternoon, the day of the concert, we finally got most of the cables back.”

“So we never had a sound check with her or her band. The orchestra said, 'We can’t come out there with our violins and beautiful oboes. It’s too damp.' Around 5:30 or 6:00 they finally agreed. It had just started to dry up,” Phil Ramone remembered.
Barbra's stage for the concert was designed by Tom John — the contemporary Plexiglass platform and stairs made it look as if Barbra was walking on air. A 200-foot track was built in front of the stage that extended into the audience. The track was utilized only for the final number, “Happy Days,” when the camera slowly moved away from the stage to reveal a mass of people — a happening!

Imero Fiorentino lit the outdoor concert and praised Streisand. “I found her to be extremely cooprerative,” he said. “She was very lovely, not temperamental at all.”

Fiorentino was asked by Marty Erlichman to light all the trees around the stage. “Well, that's a mammoth job,” Fiorentino explained. “To do that, we would have to ship the equipment in from Detroit, from Canada, wherever. And the cost would be phenomenal.”

After the lighting director priced the cost — which was, indeed, phenomenal — Erlichman asked, “Well, how much for three trees?” Fiorentino replied, “Which three do you want?”

Barbra wore a headband at Friday's dress rehearsal. (The cover of Barbra's A Christmas Album was taken that night.) Barbra tried on different gowns and worked with hairdresser Fred Glaser on alternate hairstyles. One article mentions that she considered a sequined Galanos and a flowered Brooks gown for the second act.

Director Sheerer elaborated about his challenges in capturing the concert. He said, “I wanted to tape that very special thing that happens between Barbra and her audience. The only way to capture that kind of excitement is when it's happening — live. There would be no retakes.”

He continued: “The hardest thing about getting this concert on tape was that there were no ground rules, no precedents to follow ... And even rehearsals wouldn't have meant all that much, except that, such as they were, they gave me a chance to establish approximately where Barbra would be standing on the stage ... how she would look in front of the cameras (I had six of them going, along with 28 microphones), how the band would sound and how my equipment would work. That was what was meant by rehearsals. The rest was flying blind, playing it by ear.”

Sheerer had a 35mm camera mounted on a helicopter, and that is how he captured the serene aerial shots of New York which appear at the beginning of the T.V. special.
Streisand at dress rehearsal.

The Happening

Streisand and her sister walk to the stage during rehearsals.

Streisand recalled in 1991: “The forecast was rain. In addition to standard rain insurance, we tried to get mud insurance in case the rains left the park too much of a swamp for an audience. But Lloyd's of London couldn't agree on a precise definition of mud. While the rains never came, the weather was so humid that the stringed instruments wouldn't stay in tune.”


Because of the lingering light in the night skies, the concert began late, around 9:45 p.m. Before Streisand took the stage, New York Parks Commissioner August Heckscher told the audience that they were the largest ever gathered for a concert in the park. “I declare this park Miss Streisand’s,” he said — and the audience shouted back “Streisand Park!”


Heckscher estimated that evening that there were 128,000 people in the audience, and Streisand repeated that number during the concert.  In reality, there were 135,000 people in attendance! The orderly crowd was overseen by 150 New York policemen, included 20 on horses.


Conductor Mort Lindsey, wearing a set of earphones, received his prompt to begin. Baton in hand, he cued the orchestra to begin the overture.


Barbra walked down the Plexiglass stage and spread her arms wide to accept the applause of 135,000 fans. Her first song: “Any Place I Hang My Hat is Home.” (Barbra ad libbed to the audience, ”This is home?”)


An area for Barbra's friends and family was located to the right of the stage. Seated there were husband Elliott Gould, sister Rosyln Kind, Bella Abzug, Mayor Lindsay, Calvin Klein, and Andy Warhol.


“I turned off all the tally lights on the cameras [the red lights that illuminated when the camera was on, recording the show],” Robert Scheerer told the Directors Guild of America, “so she wouldn't know where I was. And at one point—it happened to be an edited portion—she pointed and she said, ‘Why aren't I seeing ... The director said no lights’, and then went on. I didn't want her to know where I was shooting. I wanted to be able to cut where I wanted to cut, and not have her feeling that she had to look a certain way. It was too restrictive.”


After editing the television special, Robert Scheerer recalled, “I screened it for Barbra, and she asked for one change, one shot ... It was one shot of a Spanish lady that I didn't use, only because it was a soft focus. She loved that shot for some reason, so I said ‘Of course.’ That's the one change that I made for Barbra.”


The actual, live concert of A Happening in Central Park lasted 2-1/2 hours. Barbra sang some 28 songs—many were edited from the final, hour-long television special.

ACT ONE ACT TWO
Overture Where Am I Going?
Any Place I Hang My Hat Is Home He Touched Me
The Nearness of You Schloon Song
My Honey's Lovin' Arms Stout-Hearted Men
I'll Tell the Man in the Street I'm All Smiles
Cry Me A River Marty the Martian
Folk Monologue / Value Love Is A Bore
I Can See It I'm Always Chasing Rainbows
More Than You Know Natural Sounds
All the Things You Are Second Hand Rose
Down With Love People
Love Is Like A Newborn Child Silent Night
I Wish You Love Happy Days Are Here Again
What Now My Love
Free Again
When the Sun Comes Out
The Central Park concert was also partly responsible for exacerbating Barbra's well-known stage fright. In 1994, Barbra told Gene Siskel that her stage fright “started in 1967 during the Arab-Israeli War when I was doing my big concert in Central Park. There were 135,000 people there. My movie [Funny Girl] was going to be banned in Egypt. The government had said that [because Omar Sharif] was an Arab and I was a Jew, they weren't going to play any of my movies. So I was afraid that somebody might take a shot at me during the concert. So I started walking around the stage fast. And I forgot my words, which is an actor's nightmare. And that frightened me—that absolute lack of control.”

Barbra forgot the words to the song “When the Sun Comes Out.” As she told Barbara Walters in an interview, “I wasn't charming or cute about it. I was terrified.”

For the first act of the concert, Streisand wore a cape made up of two layers of pleated chiffon panels of varying shades of green and pink. The full length cape was worn over the shoulders of Barbra's gown on stage. Designed by Irene Sharaff, who did Streisand's costumes for Funny Girl, the cape sold for $4,080.00 in 2004 at Barbra's costume auction.

Streisand's striking second act gown (a floral printed silk chiffon with a bow in the back!) was designed by Sarmi.
Streisand in first act gown.

“No one has ever figured out how [Fortuny] did those tiny pleats. You can't quite duplicate it, although many people have tried ... I had Irene [Sharaff] copy it in pink for my 1967 concert in Central Park. I asked her to make a pleated chiffon cape to wear over it that could billow in the wind. There were 150,000 people there that night and no video screens back then. At least with the cape, they could see me, even if they were way in the back.”


... Barbra Streisand, “My Passion For Design”


Awards

  • Mort Lindsey won a 1969 Emmy Award for his work on A Happening in Central Park — “Outstanding Individual Achievement in Music”
  • Nominated for an Emmy — “Outstanding Variety of Musical Program”

“Central Park” on Home Video

Barbra Streisand introduces Central Park in 1987

A Happening in Central Park officially debuted on home video (VHS) in 1987. A bootleg videotape released by All Star Video circulated in the 1980s. In 1981 Streisand and All Star made the news when her lawyers filed a lawsuit asking for more than $11 million dollars for “an illegal conspiracy to sell unauthorized video recordings of her performances.”


The CBS/Fox official version was first released in 1987 in tandem with the home video debut of One Voice. Barbra filmed an introduction to the VHS of A Happening in Central Park. The same introduction was utilized when Central Park finally debuted on DVD in 2005.


In 2018, Central Park was one of the Streisand specials which was streamed for a new generation of fans on Netflix.


A “Central Park” Photo Gallery


Sources Used On This Page:
  • “135,000 Go Up To Central Park To Hear Barbra” by Paul Meskil.  New York Daily News, June 18, 1967,
  • “A ‘Happening‘ Is Recaptured.”  Fort Lauderdale News, August 23, 1968
  • Barbra: The First Decade by James Spada.  The Citadel Press, 1974.
  • “Barbra Streisand's Free Sing-In Jams Sheep Meadow in the Park” by John S. Wilson. New York Times, June 18, 1967.

Related Pages ....

End / A Happening in Central Park 1968 TV Special
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