Acetates and Demos

Streisand / Early Demos

When Barbra Streisand was twenty years old, she signed a recording contract with Columbia Records. Barbra’s beautiful singing voice was already recognized and beloved in the small nightclubs she performed in. But live performances are fleeting and not preserved, so this page takes a look at the earliest recordings of Barbra Streisand singing.

FIRST RECORDING

DECEMBER 1955

Nola Recording Studios label
The earliest known recording of Barbra Streisand was made when she was thirteen years old—it was recorded December 29, 1955. Her mother paid for a recording session at Nola Recording Studios in New York (at $25 an hour, a fortune for the family!) 

“The Nola occupies the 2nd floor of a building running from 51st to 52nd St. and Bway,” was how The New Yorker described the facility in a December 2, 1950 article, “and it has an extra 20,000 sq. feet in Steinway Hall on 57th St.”

In the summer of 1955, Barbra and her mother went to the Catskills for a week and met a piano player who told them about Nola Studios. So they brought him along to accompany them on the recording. 

“My mother went first, but she could hardly get a chorus in edgewise,” Barbra wrote in 1991, “because the piano player kept launching into endless, elaborate refrains. As soon as he started that with me, I told him, ‘No, no we'll just do a little interlude and then I'll come back in.’”

Streisand recorded two songs at Nola Studios which she took home in the form of an acetate record: “Zing! Went the Strings of My Heart” and “You'll Never Know.” The latter was included on her 1991 retrospective box set, Just For The Record. “Zing!” was never officially released, although Barbra allowed a few seconds of it to play during an Australian television interview.

THE BARRY DENNEN TAPES

Barry Dennen, 1960

Barry Dennen was Barbra Streisand's friend and mentor who served as a collaborator when she was putting her act together in New York nightclubs around 1960. 


After they appeared together in an off-Broadway play called The Insect Comedy, Barbra reached out to Dennen for a favor:  she had an audition with Eddie Blum, the casting director for Rodgers and Hammerstein, who wanted to hear a recording of her singing.  Dennen had an Apex reel-to-reel tape recorder, so Streisand asked if he would record her.


“She had a voice the microphone loved—and everybody else loved it, too,” Dennen wrote. “I was really the man who insisted that she sing, who gave her the support and encouragement and help that she needed, and I put together and directed her first nightclub act for her.”


Dennen recorded Streisand many times during this period, including her live performances at the Lion and the Bon Soir nightclubs.  


In 2009, Dennen auctioned the tapes he still possessed, so fans finally learned what actually existed of these early Streisand performances. 


HOME RECORDINGS 


  • A Taste of Honey
  • Two Brothers

These songs were probably recorded in 1960 at Barry Dennen's home at West 9th Street in New York City’s Greenwich Village.


“Two Brothers” is probably the Irving Gordon folk-Civil War song, written in 1951.


Barbra was accompanied by guitar on these songs.


REHEARSAL AT THE BON SOIR


  • Chez Moi (Jimmy Daniels)

Jimmy Daniels was the host of the Bon Soir who introduced Streisand to the audience. Daniels, a handsome café singer in his day, sometimes sang a number or two at the Bon Soir microphone.


For the 2009 auction, Dennen wrote: “I was setting up the microphones to record her first appearance at the Bon Soir and I turned the tape on at the rehearsal. I liked this song and wanted a recording of it. You can clearly hear Barbra, waiting her turn to rehearse, humming a counter melody.”


STREISAND AT THE BON SOIR


This recording was made at the club on September 17, 1960.


  • Spoken Intro—Jimmy Daniels
  • Keepin' Out of Mischief Now
  • A Sleepin' Bee
  • I Want to Be Bad *
  • When Sunny Gets Blue
  • Lover Come Back to Me
  • Nobody's Heart Belongs to Me
  • Who's Afraid of the Big Bad Wolf?

* Words & Music by: B.G. DeSylva, Lew Brown and Ray Henderson



DETROIT RADIO SHOWS 


Streisand appeared on two local radio shows while playing the Caucus Club in Detroit, Michigan in 1961. She was on The Jack Harris Show (2/24/61 and 4/14/61) as well as Guest House, Detroit (2/28/61). These are recordings of Streisand’s songs from those radio shows.


  • A Taste of Honey
  • Cry Me A River
  • Sleepin’ Bee
  • Lover Come Back to Me
  • When the Sun Comes Out
  • Soon It's Gonna Rain
  • Moanin’ *
  • Who's Afraid of the Big Bad Wolf?

* Dennen probably meant “Moanin’ Low,” a song that Streisand sang in her early career, then finally recorded in 1975.


The auction of Dennen’s tapes at MomentsInTime.com had a starting bid of $1 million dollars – an exorbitant amount. “I’m a little trepidatious,” Dennen told the New York Post. “I don’t know what the fallout will be. I don’t like upsetting Barbra, and I don’t want her fans angry at me.”


The truth is that the tapes had always upset Barbra ever since she asked Barry Dennen for them back in 1965 and he refused to hand them over. “They are the only thing I have left of our collaboration,” he told her at the time.  Over the years, Dennen would play some of the songs for Streisand fans at conventions he was invited to. When Marty Erlichman tried to negotiate with Dennen to get the tapes for Barbra’s retrospective, Just For the Record, Dennen failed to come to an agreeable compromise.


The only comment about the auction of the tapes came from a Streisand spokesman who said, “Our lawyers are dealing with this.”


Ultimately, the tapes never sold. Barry Dennen passed away September 26, 2017. 


Photo of young Barbra Streisand with red hat. Photo by: Craig Simpson

FIRST RECORDINGS FOR A RECORD LABEL

Although Barbra Streisand did not sign a recording contract with Columbia Records until October 1962, she did appear on two albums for the label earlier that year.


The original Broadway cast recording of I Can Get It For You Wholesale featured music by Harold Rome, including Barbra’s show-stopping, star-making number, “Miss Marmelstein.”


Columbia’s president, Goddard Lieberson, was able to secure theWholesale cast album for the label by offering to record the twenty-fifth anniversary of Rome’s musical revue, Pins and Needles. Barbra was recruited by Rome to record six of the songs on that album.



LOOKING FOR A CONTRACT


Barbra Streisand’s manager during this period (and to this day) was Marty Erlichman, and he persistently tried to get his talented client signed with a major record label.


Erlichman told author James Spada, “Everybody said, ‘She has a beautiful voice, but it's more Broadway than records, and certainly the voice and the material are not what is being bought at the moment. We don't think she'll sell records.’”


But when Barbra earned lots of attention appearing in I Can Get It For You Wholesale on Broadway, “the record people started to come back,” Erlichman said. “The first label that wanted to sign her was Atlantic. But that label was basically jazz, and I told them that I thought she had great potential as an album seller, and since Columbia was the best album-producing company, I had my heart set on them. I told Capitol the same thing.


“It was a difficult thing to do, turning down offers after we'd waited so long. And neither of us had much money. But we both thought that it would be better to hold out for the best than to jump at the first offer just because we were hungry.”

FINE RECORDING DEMO (1961)

In April 2007, Heritage Auctions put a 10-inch 45-rpm acetate demo up for auction that featured two songs sung by Barbra Streisand.  According to the website, the demo was “one of only ten that were manufactured in the early ‘60s; eight were sent to record companies and are no longer believed to exist, one went into Barbra’s vault, and this one was given by her to a friend who's kept it in pristine condition for the past four decades.”


That “friend” was Don Softness, who did publicity for Streisand around 1961.


The Fine Recording demo had Streisand (with what sounds like a trio backing her) singing “Have I Stayed Too Long at the Fair,” and, on the flip side, “Come to the Supermarket (in Old Peking).”


Fine Recording studios were located at 118 West 57th Street, New York. It was probably Marty Erlichman who arranged to have these songs recorded so he could shop Streisand around to potential record companies.


Heritage Auctions’ website indicates the acetate demo did not sell.


RCA DEMO (1962)

Streisand auditioned for RCA Records in March 1962.  She recorded nine songs for them, accompanied by Marty Gold on piano, who was described as “one of RCA’s yeoman house arrangers.”  Marty Gold recruited new talent for RCA and was disappointed that the label turned Streisand down.


The audition record was pressed on a 12-inch acetate and auctioned on ebay around 2002.


Side A:


A Sleepin' Bee

Have I Stayed Too Long at the Fair

When the Sun Comes Out

A Taste of Honey

At the Codfish Ball (take 1) 

At the Codfish Ball (take 2)


Side B:


Lover, Come Back to Me (take 1)

Lover, Come Back to Me (take 2)

Bewitched

I Had Myself a True Love

Soon It's Gonna Rain


The demo includes Barbra's version of a song Shirley Temple sang in a film called Captain January. Written by S. Mitchell and L. Pollack, “At the Codfish Ball” has never been officially recorded by Barbra —although she confessed she considered recording a medley of Shirley Temple songs for 2003's The Movie Album.


Streisand also sang a different lyric on this demo for the song “I Had Myself A True Love.”


She sang, “Where is he? With that gal in that damned ‘ol saloon.” One year later at the Bon Soir—and then on The Third Album—Barbra sang instead: “Where is he? Has he gone so soon?”


COLUMBIA RECORDS AUDITION DISC (1962)

We know Streisand recorded an audition record for Columbia Records because Barry Dennen included it in his 2009 auction. “One afternoon Barbra brought an acetate disc of audition material she had recorded as a test for Columbia Records,” Dennen wrote. “She asked me to give her notes, which I did, and I made a tape recording of this rare disc, which she took away with her.”

The audition disc contained the following songs:

  • A Sleepin' Bee
  • I Had Myself a True Love
  • When the Sun Comes Out
  • Have I Stayed Too Long at the Fair
  • Come to the Supermarket in Old Peking

COLUMBIA RECORDS CONTRACT (1962)

PHOTO ABOVE: Goddard Lieberson, Streisand, Marty Erlichman, David Kapralik. Barbra signed with Columbia Records in 1962.


“We finally signed a record deal with Columbia,” Marty Erlichman said, “because we thought it was the biggest and best company and we wanted to be with the biggest and the best. And it didn't hurt that Goddard Lieberson came back to see Barbra in her dressing room when I Can Get It For You Wholesale opened in Philadelphia. Believe it or not, we turned down close to $100,000 in offers from other labels to go with Columbia.”


Barbra Streisand sat down to sign her recording contract next to Goddard Lieberson, the president of Columbia Records, on October 1, 1962. She has recorded with Columbia ever since.


Streisand's original 1962 record contract was reportedly for five years (one year guaranteed, with four annual options) and gave her a royalty of 5% against 98% of the records she sold (paid after recording costs).


Marty Erlichman recalled that Streisand received a cash advance with the label. “It was small—twenty thousand dollars, I believe. We weren't interested in big front money. We waived that for other considerations such as creative control, no coupling, and the right to choose her own material.” (The coupling clause gave Streisand the right to refuse to be placed on a compilation record with other artists.)


Erlichman, always looking out for Streisand, insisted on “an album within the first six months. The wording was that twenty sides, which meant two LPs, had to be recorded and released at six-month intervals that first year,” he said. “I wanted to be sure that in the event she was dropped by the label she was first given every opportunity to succeed—our way, not theirs.”


Indeed,The Barbra Streisand Album and The Second Barbra Streisand Album were released by Columbia in February and October of 1963, with The Third  Album hitting stores in February 1964.

Marty Erlichman with his client Barbra Streisand in the recording studio, 1962.

SOURCES USED FOR THIS PAGE



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