Quotes from Streisand’s Mister Kelly’s
Reviews:
Chicago Daily News, “On Barbra’s Bandwagon” by Sam Lesner, June 15, 1963
Barbra Streisand is a 21-year-old kook from Brooklyn who was obviously born to be in show business. Appearing now at Mister Kelly's, she is vocally a cross between a sweet-voiced canary and a whooping crane, but she's sparkling and fresh.
Chicago American, “Popular Songs Unusually Sung” by Charlie Dawn, June 13, 1963
Miss Streisand is the young songstress who has done a Broadway show, made numerous featured personal appearances on television network shows, and now is capturing the fancy of Chicagoans in Mister Kelly's on Rush street.
She opened her first engagement in Mister Kelly's this week and judging by the crowds who have gathered to hear her—early and late— her 3-week showing will be a hefty winner!
For those who seek unusual treatment in song presentation, Miss Streisand is the answer. And for those who merely want entertainment the answer is the same.
With Peter Daniels as accompanist, Barbra unfolds many fine songs, all dressed in Streisand style. "Cry Me A River," the way she does it, sort of makes you forget about Johnnie Ray who introduced the number. And "Happy Days..." takes a new stance in the Streisand program.
Among other winners this comely lady presents are "Any Place I Hang My Hat is Home," "Keeping Out of Mischief Now," "Who Will Buy?" and "Down With Love."
With singing — and performing — talent like this, it's no wonder Mister Kelly's is doing a bang-up business!
Chicago Tribune, “Barbra Spells That Way, but She Sure Sings Right” by Will Leonard, June 16, 1963
Aside from demanding that her front name be spelled that way, Barbra Streisand is a very interesting 20-year-old. Vocalwise, that is. Her voice is different and exciting, not so much because of an unnatural, mechanical edge [almost any singer can affect such a gimmick], as because of its nervy, unabashed, kidding-on-the-square tone. Her advance publicity brubles with items like, “David Merrick adores her” and “She's very extraordinary,” gushes Truman Capote. That's almost enough to unsell a man who likes to wait and see, but when Merrick's adoration and Capote's gushing have sizzled down, one still has the impression of a young lady who pitches old songs with a new curve and proffers new songs of fresh flavor with a faint, quaint suggestion of the caustic. Can't recall having heard a newcomer quite like her [...]