Wet 1979 Album

Streisand / Discography

Wet (1979)

Wet original album cover
Below: Gallery of album back cover and inner sleeve .... Click arrows to navigate.

  • ABOUT THE ALBUM
    • Released October 1979
    • Produced by Gary Klein for The Entertainment Company
    • Executive Producer: Charles Koppelman
    • Recorded & Mixed by: John Arrias
    • Photography: Mario Casilli
    • Visual Coordination: Tony Lane, A.D.
    • Inner Sleeve color-tinting: Ginger Canzoneri


  • CATALOG NUMBERS
    • FC 36258 (LP, 1979)
    • FCA 36258 (8-Track Tape)
    • FCT 36258 (Cassette)
    • CK 36258 (CD)



  • CHARTS
    • Debut Chart Date: 11-3-79
    • No. Weeks on Billboard 200 Albums Chart: 26
    • Peak Chart Position: #7
    • Gold: 2/22/80
    • Platinum: 2/22/80

    Gold: 500,000 units shipped

    Platinum: 1 million units shipped


    The Billboard 200 is a ranking of the 200 highest-selling music albums in the United States, published weekly by Billboard magazine.


Tracks

  • Wet [3:56]

    Written by: D. Wolfert, S. Sheridan & B. Streisand


    Arranged & Conducted by: Lee Holdridge


    Piano: Mike Lang


    Electric Piano: Alan Broadbent


    Bass: David Hungate


    Drums: Steve Schaeffer


    Guitar: Dan Ferguson, Fred Tackett


    Date Recorded: July 23, 1979 (Capitol Studios, Hollywood)

  • Come Rain Or Come Shine [4:43]

    Written by: J. Mercer & H. Arlen


    Arranged & Conducted by: Greg Mathieson


    Electric & Acoustic Piano: Greg Mathieson


    Bass: David Hungate


    Drums: Jeff Porcaro


    Electric Guitar/Guitar Solo: Larry Carlton


    Acoustic Guitar: Dan Ferguson


    Date Recorded: July 16—19, 1979 (Sound Labs, Hollywood)

  • Splish Splash [4:15]

    Written by: B. Darin & J. Murray


    Arranged by: David Foster


    Piano: David Foster


    Bass: Neil Stubenhaus


    Drums: Ed Greene


    Electric Guitar: Steve Lukather


    Saxophone Solo: Tom Scott


    Clavinette: Jai Winding


    Background Singers: Bobby Kimball, Tom Kelly & Bill Champlin


    Vocals Arranged by: David Foster & Bill Champlin


    Date Recorded: July 16—19, 1979 (Sound Labs, Hollywood)

  • On Rainy Afternoons [3:08]

    Written by: A. Bergman, M. Bergman & L. Schifrin


    Arranged & Conducted by: Lalo Schifrin


    Piano: Mike Lang


    Electric Piano: Alan Broadbent


    Bass: David Hungate


    Drums: Steve Schaeffer


    Guitar: Dan Ferguson, Fred Tackett


    Date Recorded: July 23, 1979 (Capitol Studios, Hollywood)

  • After The Rain [3:40]

    Written by: A. Bergman, M. Bergman & M. Legrand


    Arranged & Conducted by: Lee Holdridge


    Piano: Lincoln Mayorga


    Electric Piano: Mike Lang


    Bass: Neil Stubenhaus


    Drums: Rick Schlosser


    Guitar: Mitch Holder, Fred Tackett


    Date Recorded: August 8, 1979 (Capitol Studios, Hollywood)

  • No More Tears (Enough Is Enough) (Duet with Donna Summer) [8:19]

    Written by: P. Jabara & B. Roberts


    Produced by: Gary Klein for THE ENTERTAINMENT COMPANY in association with Giorgio Moroder Productions


    Arranged & Conducted by: Greg Mathieson


    Acoustic & Electric Piano: Greg Mathieson


    Accoustic Piano (Ballad Passage): Bill Payne


    Bass: Neil Stubenhaus


    Drums: James Gadson


    Guitar: Jay Graydon, Jeff Baxter


    Background Singers: Julia Waters, Maxine Waters & Luther Waters


    Vocals Arranged by: Bruce Roberts, Paul Jabara & Luther Waters


    Date Recorded: August 14, 1979 (Crimson Sound, Santa Monica, Calif.)

  • Niagara [3:30]

    Written by: M. Hamlisch, C. Bayer Sager & B. Roberts


    Arranged by: Nick DeCaro


    Conducted by: Marvin Hamlisch


    Piano: Lincoln Mayorga


    Electric Piano: Mike Lang


    Bass: Neil Stubenhaus


    Drums: Rick Schlosser


    Guitar: Mitch Holder, Fred Tackett


    Saxophone Solo: Tom Scott


    Date Recorded: August 8, 1979 (Capitol Studios, Hollywood)

  • I Ain't Gonna Cry Tonight [5:00]

    Written by: A. Gordon


    Arranged & Conducted & Co-Produced by: Charlie Calello


    Piano: Richard Tee


    Electric Piano: Jai Winding


    Bass: Neil Stubenhaus


    Drums: Ed Greene


    Guitar: Dean Parks, Fred Tackett


    Background Singers: Jim Haas, Jon Joyce & Stan Farber


    Date Recorded: July 16—19, 1979 (Sound Labs, Hollywood)

  • Kiss Me In The Rain [4:16]

    Written by: S. Farina & L. Ratner


    Arranged & Conducted by: Greg Mathieson


    Piano: Greg Mathieson


    Electric Bass: David Hungate


    Drums: Jeff Porcaro


    Acoustic Guitar: Fred Tackett


    Electric Guitar & Solo: Jeff Baxter


    Date Recorded: July 16—19, 1979 (Sound Labs, Hollywood)

About the Album

Columbia Records ad for the Wet album

After Barbra Streisand wrapped filming on The Main Event for Warner Brothers, she began work on a new studio album for Columbia Records with Gary Klein of The Entertainment Company (her third album with Klein producing.) Streisand was producing an album a year since 1974, and her last three albums (A Star is Born, Superman, and Songbird) were her biggest selling ones yet.


“Many times,” explained Barbra, “the title of an album comes to me before the actual songs. I love the ocean, the rain, lakes, waterfalls, ponds, and Jacuzzis! I thought it would be a nice idea to have wet and water as a unifying theme for a group of songs.”


Wet became a concept album for Streisand – even down to the first and last word that Barbra sang on album: “wet.”


Wet was a huge seller for Barbra Streisand, mostly because it included the big, all-star duet of “Enough is Enough” with Donna Summer (see below).


By 1979, the Entertainment Company was a major player in the record business, grossing $7.5 million dollars in 1978. According to Billboard Magazine, the Entertainment Company entered into producing agreements with record labels that called for “‘mutual consent’ in material, sequencing and artwork.”


The Entertainment Company even had a hand in the album’s marketing. “I believe our marketing input is important when you realize that labels can be afflicted with tunnel vision in marketing ideas,” Charles Koppelman said, “and since we work with so many labels, we’re able to come up with some fresh approaches.”


The title track, “Wet”(which Barbra co-wrote lyrics for), was recorded on July 23, 1979 at Capitol Studios with a 55-piece orchestra. John Arrias was the sound engineer on that session. He told author Karen Swenson, “Barbra walked in as we were rehearsing the orchestra—this is one moment she can't remember—dressed in purple, and she went straight into the vocal booth where I had everything set up for her. Right away, we had a headphone problem ... It turned out it was because I gave her a mono mix and she likes to hear it in stereo; she likes to hear the ‘openness’ in her headphones. (Mono sounds much smaller.) So I worked out a technical way of giving her stereo and she said, ‘Oh, there it is. Wonderful.’ And from that day to today she has never raised her voice to me, never said a harsh word, she's always been super kind.”



“On Rainy Afternoons,” a song with lyrics by the Bergmans and music by Lalo Schifrin, was originally composed for a 1976 war adventure film starring Michael Caine & Robert Duvall, The Eagle Has Landed — for that film, the musical composition was  known as “The Eagle Has Landed Love Theme,” or “Eagles In Love.” In his biography, Schifrin told how Streisand contacted him because she loved the melody, but he explained it had no lyrics.  So Streisand had the Bergmans write what became “On Rainy Afternoons” for the Wet album. Then Barbra asked Schifrin to write the arrangement. When he met Streisand to set the song in her key, Schifrin confessed, “I started to change the harmonies in Monkish fashion. Barbra interrupted my playing  and said, ‘What happened, are you getting tired of your own composition? Don't tamper with success.’” Schifrin showed up at Capitol Records a week later for a midnight recording session. “One arranger after another was taking turns conducting the orchestra. At 12:00 midnight it was time for me to get to the podium. She is so great that we completed the recording in one take.”



Producers Charles Koppleman and Gary Klein discovered songwriting team Lisa Ratner and Santo “Sandy” Farina, and their first big hit was “Kiss Me In The Rain,” recorded by Barbra for Wet .



Bobby Kimball – lead singer of the rock group Toto – sang backup on “Splish Splash.”



Songwriter Bruce Roberts recalled, “When we wrote ‘Niagara,’ Barbra’s response was ‘Is anybody going to know what that means? And is it wet enough?’ We said, ‘Barbra, it’s Niagara Falls. It’s very popular and very wet.’”




“A concept album of sorts in the sense that each of the songs has something to do with water, Wet was the third of a trilogy of albums produced by Gary Klein in a soft rock vein increasingly set in the synth-pop style of the late '70s and early '80s. The concept allowed for a range of material, from old favorite Harold Arlen's ‘Come Rain or Come Shine’ to an updated version of the old Bobby Darin hit ‘Splish Splash.’ The album's number one hit was ‘No More Tears (Enough Is Enough),’ a disco duet with Donna Summer. But most of the songs were newly written ballads attempting to re-create the ‘Evergreen’/’The Way We Were’ style of Streisand's recent hits. ‘Kiss Me in the Rain’ grazed the Top 40, but most of that material was substandard. Yet there was enough variety on the album to make it an average Streisand outing.”

AllMusic Review by William Ruhlmann


The Duet With Donna Summer

Streisand, Jabara and Summer

On August 14, 1979, Barbra and Donna Summer began recording the duet “(No More Tears) Enough Is Enough” in Santa Monica. Paul Jabara wrote the song with his partner Bruce Roberts.


“Paul came over to my house and said, ‘We’ve got to write something else. Let’s write something for Barbra and Donna,’” said Bruce Roberts. “It was a natural to see if we could put those two together … I just went to the piano and played chords and we started to sing it.  It was written in a very short period of time.” 


“It was Paul Jabara who came up with the idea of doing the duet,” Donna Summer wrote in her memoir. “Paul had won the Oscar for ‘Last Dance,’ and Charles Koppelman, Barbra’s producer from Columbia, knew a good song when he heard it.” 


Koppelman originally rejected the song, though, because it did not fit the album’s theme. “I was trying to get Barbra to include ‘Enough Is Enough’ on her Wet album,” Jabara said. “But it didn’t have any water in it.” 


“Paul was the kind of writer who couldn’t be deterred,” Streisand laughed, “so he brought back this wonderful intro, a play on the children’s nursery rhyme ‘It’s raining, it’s pouring, the old man is snoring’ which he made into ‘My love life is boring me to tears.’ He kind-of shoehorned the tears and pouring rain to fit the wet concept. And it became the big hit from the album.”


Then, Jabara scheduled some time with Streisand to play the new song for her. “The day before,” Jabara said, “I asked Donna [Summer] if she wanted to come with me to Barbra’s for lunch. She immediately said, ‘I’d love to.’ 


“When I called Barbra, her 11-year-old son, Jason, answered,” Jabara explained. “I told him to ask his mother about lunch. He screamed, ‘Donna Summer!’ Turns out Jason’s the biggest Donna fan in the world. So I owe it all to him.”


At Barbra’s house, Summer said “she was a complete delight, and it didn’t take long for us to fall into a nice conversation.”


Jabara continued: “The minute Donna and I arrived at Barbra’s, I said, ‘This is the duet I’ve been trying to get you two to do.’ They both got excited. Barbra kept asking, ‘What part do I sing?’ I knew if I could just get them together, they’d do it.” 


Bruce Roberts recalled, “It was crazed from the start. We got them together, locked them in a room in Barbra's house in Malibu and played them the song ... and taught it to them.”


“The next day,” Summer wrote, “Paul began to look for a place for us to record the song. We wound up trying four different studios. In one the sound wasn’t right for Paul, in another it wasn’t right for me, in still another Barbra didn’t like it, and the fourth seemed wrong to all three of us.  Once we finally found a studio we all agreed on, it was smooth sailing.”


“Barbra was not as comfortable in the genre of disco or dance music,” said Bruce Roberts “so I first went in and sang Barbra’s part as a guide vocal. It was finished overnight.”


“Enough is Enough” was recorded over two weeks in Los Angeles at a reported cost of $100,000. 


Jabara was ecstatic. “There was Streisand,” he said, “hands flaring, and Donna, throwing her head back — and they’re both belting, sparking each other. It was a songwriter’s dream. Forget ‘Enough Is Enough,’ I want ‘More and More.’”


Jabara also clarified, “There was a popular rumor going round Hollywood that Donna and Barbra recorded separately.  Not true.  The master tracks were done face to face.” 


Engineer John Arrias confirmed that the singers did some overdubbing separately, though. “They never could quite feed off each other,” he said, “so they decided, ‘Okay, let’s try it individually. Donna singing to Barbra’s scratch part and Barbra singing to Donna’s.”


One amusing story about the recording sessions concerned Donna Summer.  During the final recording session, while she was holding a long note, Summer fell off her stool, unconscious from lack of air.  When she came to, Barbra was still holding her note!  When she finished, Barbra asked, “Donna, are you all right?”  Summer confessed that “I was completely exhausted” during that recording session, having completed her last show of an 8-night concert performance at the Universal Amphitheatre. 



Unreleased Songs

Barbra recorded five songs that were not used on the album. Three songs were not “wet” enough for the album's theme: “Understand Your Man,” by Alan Gordon (he also wrote “My Heart Belongs To Me” and “I Found You Love”); “Something’s Missing (In My Life)” by Paul Jabara and Jay Asher which was also recorded by Jabara himself, Donna Summer and a solo Karen Carpenter version; and another Alan Gordon song, “I Am Alone Tonight.” 


Barbra and Gary Klein also recorded a solo version of the Muppet Movie song “Rainbow Connection” that remained unreleased for years until it was remixed as a duet with Kermit the Frog for Barbra’s 2021 album Release Me 2.

Singles

The Wet album included a sticker on the front cover alerting buyers that the Donna Summer duet was on the album.


For Streisand completists, there were three versions of “(No More Tears) Enough Is Enough” released:

 

 

Besides “Enough is Enough,” Columbia Records released the following single from the album:

 

 

Columbia Records put a sticker on the front of Barbra's WET album to advertise the duet with Donna Summer.

CD Packaging

Some of the artwork for Wet did not transfer when Columbia released Streisand's original albums in the CD format.

 

  • The tinted photograph of Streisand by Mario Casilli — which originally took up one side of the LP's sleeve — was reproduced on the fold-out CD insert.
  • Not reproduced was the other side of the LP sleeve which contained two tinted photos of Streisand by Casilli. 
  • The photographer’s name is spelled wrong on the LP and the misspelling was reproduced on the CD. It's 'Casilli' not 'Caselli'.

 

Album Cover

Streisand called Mario Casilli to photograph the cover of Wet. They worked together previously to produce the cover photo of Barbra’s 1977 Playboy Magazine interview. Casilli was famous in the 1980s for his bold photos of celebrities.


Casilli photographed Streisand at her home. “Barbra did her own hair and makeup,” he explained. “We photographed her in three or four different wet settings. One was in the hot tub at the redwood house. Another was by the pool by the art-deco house, which had just been built. We worked fast because there's just so much water the skin can take before it becomes unattractive. Also, it was a cold day, so the pool was heated. That added steam to the shots. There was nothing arty or contrived, because she didn't want that. It was a good experience. Each one was better than the one before.”

Below:  Click through some of the alternate photographs of Barbra Streisand taken by Casilli for the cover of this album.

SOURCES USED FOR THIS PAGE:





  • Barbra Magazine, Vol. 1, No. 4, 1980.
  • Barbra: The Second Decade by Karen Swenson. Citadel Press, 1986.
  • Donna Summer: Ordinary Girl, The Journey by Donna Summer, with Marc Eliot. Villard, 2003.
  • “Entertainment Co. Into Management, Concerts” by Irv Lichtman. Billboard Magazine, February 17, 1979. Page 18.
  • “How Donna Summer and Barbra Streisand’s Famous Duet 'Enough Is Enough' Came Together” by Degen Pener. The Hollywood Reporter, 5/18/2012. Retrieved February 7, 2018. https://www.hollywoodreporter.com/news/donna-summer-death-barbra-streisand-duet-enough-isenough-
  • Mission Impossible: My Life in Music by Lal Schifrin. The Scarecrow Press, 2008.
  • SiriusXM Barbra Streisand Channel Interstitials. 2016. Retrieved November 19, 2016.
  • “Streisand & Summer team up for a duet of disco and egos,” US Magazine. November 13, 1979. Pages 20-21.



END / WET / NEXT ALBUM ....

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